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During the holidays, Krampus, also known as Knecht Ruprecht, Certa, Perchten, Black Peter, Schmutzli, Pelznickel and Klaubauf, is saddled with this task. What better way to celebrate the Holidaze than with the Devil’s music? Some of the most devastating, anguished music this year were in the folk, art pop and industrial genres. Some of the most beautiful was guitar music. About that, I see the backlash against guitars is still fairly strong. I know that wrongs had to be righted, disco validated, rockism put in its place, but in 2017, all the instruments have been around before we were born. I’ve had all kinds of political rants run through my head this year, but man, I don’t have the energy. If you want to do this site’s patrons Dr. Bulbous and Professor Beefheart a solid, do something kind for both a person and a critter.
Folkore and popular culture often imagine them as corrupting influencers, whispering in our ears to do evil. 2, Snatched, Baby Driver, Colossal, John Wick: Chapter 2, Logan, A Ghost Story. One of the most impressive runs I’ve seen since The Wedding Present did something similar. However I’m particularly shocked about Algiers. David Weigel’s prog book is one of the most well written of all the music books, probably because he brings the discipline of a political reporter to this geekfest.
Help bring some balance to the overload of toxicity we’re experiencing right now. The Obsessed, however, takes the prize of the best comeback, with Sacred, their first new album in 23 years, and holds up very well next to their earlier work. RVG, originally known as Romy Vager Group. It’s a short, scrappy album that slayed me.
Also in the top 25, Teen Judge, Telekinetic Yeti, Taiga Woods. It’s supposed to be one of the key roles of cultural criticism, to explain why a play, movie, book, concert or album may not have been successful. However therapeutic negative criticism can be at times, it seems to create a bundle of negative energy that can explode in our faces. It’s why I don’t bother with negative reviews, when there’s far more good music out there than I have time to write about. Other artists whose albums I’ve refrained from listening all the way through cuz I don’t fucking have to: Father John Misty, Jay-Z, Tyler the Creator, Drake, Ryan Adams. Underrated Once again, every single album in my top 13.
However I’m particularly shocked about Algiers. It’s not like post-punk hasn’t gotten critical love. Idles, Sleaford Mods and Priests have gotten many more mentions on year-end lists than Algiers, which I had assumed was a lock for top 10. Disappointment There must be a reason that I placed U2’s Songs Of Experience at the ass-end of my list. It’s not the worst album I heard all year — plenty of others didn’t make my list because they weren’t worth the bother.
But for a brief time about 34 years ago, sandwiched between ELO, Rush and Iron Maiden, U2 were my favorite band. And it pains me to see how utterly bland and boring they’ve become. Countries I have this in my database, but have not yet made it accessible in my lists, so here’s a breakdown of the albums per country. For a relatively small population, Norway killed it with half their albums making the top 100. The Best Albums of 2017 01. Ah double albums, who doesn’t love them? Even now that most people stream, a double album still seems to command attention.
It wasn’t close to the best jazz album, but dude, The Epic! I kind of hoped something similar would happen to The Tower by Norway’s Motorpsycho. Since 2008, Boston based Elder has come a long way, evolving from a fairly standard stoner doom band with some nice guitar tones, to their current incarnation which has some people at a loss as to how to pigenhole them. Two years ago Algiers jolted nodding heads with a potent hybrid of post-punk, gospel, blues and post-industrial noise. With members split between the U.
UK, it was recorded just as the horrific political events were unfolding in both countries. While there are some pop elements such as the Motown influenced title track, it’s no surprise that their second album sounds overall more harsh, savage and angry. This trio are arguably the best traditional heavy metal albums of the 2010s. Speaking of great labels, Lee Dorrian’s Rise Above label has put out dozens of my favorite albums over the years.